Archive for the 'VR' Category

Stereoscopic Bliss with Cinema 4D

Saturday, August 20th, 2016

Experimenting with motion capture, particle systems and equirectangular stereoscopic physical rendering in Cinema 4D.

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Link to full resolution render here.


More experiments with motion capture can be found here.

Openframeworks + Kinect still working

Thursday, July 28th, 2016

Last night I was looking at depthkit and 8i while researching options for video-based 3D capture, and I felt inspired to rescue my old kinect from the bottom of a drawer. I got a fresh copy of openframeworks and ten minutes later I had a running build of the openframeworks kinect example in my computer. It was literally like time-traveling to 2011. I remember capturing a point cloud of Amy pregnant back before Maya was born. A couple of months later the kinect found oblivion in the bottom of a drawer and I stopped using openframeworks until now.

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Reddit AMA for VR Thriller Gone

Thursday, June 9th, 2016

A couple of days ago, I participated on a Reddit AMA about the VR series GONE with my friends from @Skybound and @PettyJTyrant. It was a great opportunity to revisit the creative and technical challenges we faced during this crazy adventure, as well all our accomplishments. So far I have produced or directed over a dozen cinematic VR projects, all of them valuable on their own right, but GONE surpasses all others in breadth and depth. No other time have I been able to explore, test and develop so many cinematic VR storytelling techniques. From camera moves to visual effects and interactive features, GONE remains at the bleeding edge of cinematic VR today. No other piece of 360 video content out there can compare to it, even though we finished production about a year ago and the first episode aired shortly after. We pulled off some crazy shit on this project. In the future people will wonder how could we achieve what we did during times where there were ZERO off-the-shelf production and postproduction tools for this kind of filmmaking. From DIY makeshift camera systems to painfully laborious postproduction techniques and previously non-existent user experience design, we figured out a way to make it all happen. I only wish it was promoted as well as it deserves.

Visiting UCSB to talk about Virtual Reality

Tuesday, May 10th, 2016

My friend and computational geometry genius Pablo Colapinto invited me to give a talk on VR at the Media Arts and Technology Graduate Program in his alma mater UCSB. I met Pablo a while ago when visiting Colombia for a similar reason, where we quickly bonded over symmetry groups, OpenGL and cinema.

Instead of talking about what’s usually understood as Virtual Reality, I decided to talk about what Virtual Reality means to a person like me, currently working in the field within the constraints and requirements of an overly supportive yet confused and almost pathologically optimistic entertainment industry. In that context, there were three points that I wanted to make as clear as possible:

There are ways to talk to the Web that go beyond the page/scroll metaphor —imagine pulling data from the web like you pull thoughts, impressions and memories from the corners of your mind.
Immersive video matters and it requires a language of its own —memories and other sampled content are at least as important as simulations.
The web browser is today the most powerful storytelling machine —the web browser is the only platform we have today that can fully touch across all aspects of digital media.

The content of my talk will eventually be available online here.

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After my presentation and the discussion that followed, I was invited by Director JoAnn Kuchera-Morin to play with their AlloSphere, and I spent the next few hours immersed inside the most spectacular stereoscopic scientific visualizations you could ever imagine. There is something about the AlloSphere that makes it incredibly effective at rendering virtual objects in space when wearing 3D glasses. You can almost touch the damn things floating around you. I took some pictures but none of them make it justice. Just like with Virtual Reality, you have to experience it yourself before you can fully understand what it is.

Studio 360

Tuesday, April 19th, 2016

I just made a casual appearance in The New Yorker magazine, courtesy of Andrew Marantz’s article about Wevr.

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Photo Credit D. Vegezzi.

Run the Jewels Crown is out

Thursday, March 10th, 2016

A few months ago I produced a VR music video with my friends at Wevr for the hip-hop duo Run the Jewels. I’m proud to announce that The New York Times just dropped it in their nytvr mobile app.

Here is an insightful article written by @djabatt on the importance of matching hip-hop with virtual reality.

360° Premiere: Run The Jewels's "Crown"

Run The Jewels keeps pushing boundaries with their 360° video for "Crown," premiering on The New York Times's virtual-reality app.Check out the full video from Killer Mike GTO and EL-P: http://nyti.ms/1QOIbed

Posted by The New York Times on Thursday, March 10, 2016

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Sports Illustrated Swimsuit Edition in VR

Monday, February 15th, 2016

I have to admit it caught my by surprise. I’ve never found my work on top of my twitter feed before. The Sports Illustrated Swimsuit Edition 2016 in Virtual Reality is out and available for download today. As Adi Robertson from The Verge pointed out, this might be first time where VR video has been made available to the public for a price. Will people buy it? Time will tell.

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And of course hanging out with the Models and my pals from Wevr in the Dominican Republic for a week was a difficult endurance test that challenged every professional skill we’ve developed as virtual reality filmmakers over the last couple of years 😀

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